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Arts acoustic reverb full3/11/2024 ![]() If there is a level mismatch, the gain must be adjusted on the device feeding the MR1, though tests showed that level matching was not too critical. There's a Bypass button, but no input gain control, though both the input and output can be switched between instrument and line level, with the power‑on LED doubling as a clip LED. Operationally, the MR1 is about as simple as it could be - 16 reverb presets, selectable by means of a rotary switch, and a balance control which sets the reverb‑to‑dry balance. Unusually, the signal path is mono only for the musician routing everything through a single amp, this is fine, but for home recording, where reverb is generally used to add both depth and stereo width to a sound, this could be a serious limitation. Unlike the highly‑styled Zoom mini‑effects processors, the MR1 is the epitome of solid steel chunkiness, and is powered via a mains adaptor only a little smaller than itself. There's something very Tardis‑like about a tiny box that contains simulations of large acoustic spaces, as Paul White discovers.ĪRT's new MR1 is a cheap, cheerful and eminently cute digital reverb unit aimed at both the gigging musician and the entry‑level home recordist. ![]()
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